As a first "from scratch" project, I decided I wanted to build this single 12A_7 preamp. The need came from having to drive a pair of 1959 Lafayette LA-70 KT88 monoblocks I've recently "refreshed". The circuit itself isn't overly complicated but sounds surprisingly good for what it is. It was more challenging building the 6CA4 power supply section! :) It's nice and quiet. It also allows you to roll through most of the 12A_7 family. I've found the 12AU7 is the "just right" tube, with the 12AX7 having just a bit more drive if/when you need it. The circuit mentions the cathode bypass caps as being optional, but I went ahead and installed them. I also added a "subwoofer out" jack based on another small circuit I found.
If you need a preamp and want to build one, may I suggest the 4S Preamp. It's a good little circuit that is relatively easy and inexpensive to build.
For what it's worth, I'm still using this pre almost daily!
Here it is finished. Looks and sounds great. And no, it won't be dangling on the CD player like this forever. I just wanted a shot with both amps next to each other.
I know, Skunkie, you got a comment on these chassis looking like pulled out of the garage from a long forgotten pile of metal boxes. Much of that is personal taste, but I really like the simplicity (and the heft) of these.
Thanks, everyone, for your patience and support!
These voltages are at idle with a 12ax7 I'm in the middle of tweaking my kt88 so I can't set it up today .I have 2 other amps hooked up to other preamps so tomorrow I will hook up the kt88 and put a 1 kz signal and give you more information on
My voltages 295 at the 100 uf cap and 195 at the plate pin
It could be that you used a 470 ohm instead of a 470 k bleeder resister so your sending voltage to ground also if you used the 125 volt tap on the primary instead of the 115 volt your voltage will be lower but it looks like you used a 470 ohm in the photo hard to tell.
Just to share my progress. I am almost done, just have to do some wiring. It's going to be tricky because, first, its' pretty tight in there (mounting the choke on the holes of the PT was a pain, trying to avoid extra holes doesn't come easy...), and second, I wanted to replicated the design and functionality of my 6SQ7, so, there will be an input selector (RCA/3.5mm) with indicator lights at the front (lights are housed in metal sockets painted matte black). And I'll have the sub-out.
As to the power switch--I first wanted to go with the same angel eye I used before but found it too large, so I got a cute toggle switch and added a NOS 1960s Dialco neon indicator light. It looks just great. My proudest achievement so far is the cutout for the IEC socket. I bought a bunch of them and saw that they all have a bezel of just about 1mm. If the power supply sections looks a bit crowded it is probably due to the connectors (we call them Lüsterklemme in German) I used to connect the AC. The resistor is for the neon bulb.
I should mention that for me the process of building is as important as having a functioning amp. I just enjoy straightening wires, matching up angles, etc. None of that is essential.
Maybe a question: You see how the red B+ wires cross the green 12AU7 filament wires. Should I reroute the filament so they aren't near the B+ or am I entering OCD land here?
I was thinking the same thing with a switch. Audio people say the less componits the better less is more but I'm with you audio is so subjective there's alot of opinions yours is the only one that really matters.
I'm also using a 12au7 new old stock RCA the 12ax7 seams to have to much gain I did put the bypass cap into the preamp maybe the 12ax7 would be better without the cap in play. But I'm impressed with it the way it is now. Also I use matched tubes in all my amps I'm building one hoping to incorporate RIAA into it for a turntable.I'm thinking a large chasis with separate places to keep noise out.and make it switchable inputs withe a sub out.
I use it on my cell and tablet hooked up to either my 6l6 lacewood amp from the same designer and my blueglow kt88 mark designed you can pick the gain from the 12a ? 7 you choose.
Yeah, if it for example works well from something like a CD deck, but doesn't have enough input drive from a cell phone, a preamp makes sense. I would probably use one of the lower gain options for the tube used.
I used the 269 ex with no problems
Would anything speak against using this as a preamp for an integrated amp, like the one I just built (the 6SQ7/EL34)? It is great as is, but just as the original designer, I'd love to have a bit more gain for my iPod/iPhone. I really, don't need it, But I am itching to build another amp in one of those powder coated boxes.
Is the 269EX PT an updated 269E--it seems the EX is the only PT available.
Thank you for sharing!
IF YOUR INTERESTED IN BUILDING THIS PREAMP GO TO CASCADE TUBES . THERE IS EVERYTHING YOU WOULD WANT TO KNOW. THERE IS ALSO ALOT OF GREAT PHOTOS ON DIY AUDIO SITE. I HAVE BEEN IN CONTACT WITH THE BUILDER MATT FOR THIS PREAMP AND HIS LACEWOOD AMP HE IS A GREAT GUY HE HAS RESPONDED FAST TO MY Questions.
This looks PERFECT to pair with the little 6BQ7 spud amp project.
Thanks
I built this preamp and also built the lacewood amp both from the same designer I love both.I would love to add a sub out but don't have the curcuit